የቤት ውስጥ የጠጅ አጠማመቅ

Truth Revealed !

የፊኔክስ አፍንጫ የብሽቀታቸው መለኪያ ወይስ….?

ፊኔክስ ትልቅ እና ግርማ ሞገስ ያለው ሀውልት ሲሆን የሚገኘውም የንጉስ ካፍሬ መቃብር የሆነው ፒራሚድ አቅራቢያ ነው። የጥንታዊ ግብፅ ታሪክ ተመራማሪዎች እንደሚሉት ፊኔክስ የራሱ የንጉስ ካፍሬ በድንጋይ ላይ የተቀጸ ምስል ነው። ፊኔክስ ስፋቱ 73 ሜትር ሲሆን የቁመቱ ከፍታ ደግሞ 20ሜትር ነው። ፊኔክስ ሃውልት ራሱ እና ሰውነቱ ወጥ ከሆነ ቦሀ ድንጋይ ተፈልፍሎ በሚያስደንቅ ጥበብ የተሰራ ነው።
ፊኔክስ ከአንገት በላይ የሰው ምስል ሲይዝ ከወገብ በታች ደግሞ የአንበሳ ምስል ነው ።ታዲያ የቀድሞ ጎብኝዎቹን እርር ድብን ያደረገው መች ግማሽ አካል አንበሳ መሆኑ ሆነና መልኩ እና አፍንጫው እንጂ ። ፍኔክስ የተሰራው እኛን በመሰሉ ሰዎች ብቻ ሳይሆን የንጉስ ካፍሬ እራሳቸው ኢትዮጵያዊ በመሆናቸው ነው። ሃውልቱ የንጉሱን ማንነት ፍንትው አድርጎ ነበር ያወጣው በተለይ አፍንጫና ከንፈራችው የኛን መስሎ የጎብኚዎቹን አልመስል ስላለ እንዴት እንዲህ ያለ ድንቅ ነገር እንዚህን በመሰሉ ሰዎች ይሰራል በሚል ዘረኝነትን ባዘለ ንዴት ሃውልቱን ላይ ያለውን አፍንጫ እና ከንፈር የድማሚት እራት አደረጉት።

ስለዚህም ሲነሳ እጆች ቶሎ የሚቀሰሩት ወደ ፈረንሳዊ ንጉስ ናፖሊዎን ቦናፔቲ ነው። በ1798 የቦናፔቲ ወታደሮች በመድፍ የፊኔክስን አፍንጫ ና ከንፈር እንዳፈረሱት ይነገራል። በቅርብ ሀውልቱ ላይ የተደረጉ ጥናቶች እንደሚያሳዩት አፍንጫ እና ከንፈሩን ለማፍረስ ተቀጣጣይ ድማሚት በአፍንጫው ስር ተቀብረው እንደነበር ተደርሶበታል። ፈረንሳዎቹ ለምን እኛ ብቻ በሚል ይመስል እንግሊዞቹ በአንደኛው እና በሁለተኛው አለም ጦርነት በጥይት ተኩሰው ነው አፍንጫውን ያፈረሱት ይላሉ። መለስ ብለው ደግሞ ጀርመኖችም በሁለተኛው የአለም ጦርነት የተኩስ ልምምድ ሲያደርጉ እንደ ኢላማ የተጠቀሙት የፊኔክስን አፍንጫን ነው ይላሉ።ሌላም ደግሞ የተለየ ጨዋታ አላቸው በ693 የአረብ ተስፋፊዎች ናቸው ያፈረሱት ሲሉ አንዳንድ የአረብ ጸሃፍት ደግሞ በ1378 ቱርኮች ሃውልቱን እንደተመለከቱ ቱግ ብለው ይሄ ከእስልምና ጋር አይሄድም የሚል ሰበብ ፈልገው ነው ያፈረሱት ይላሉ።

ጥንታዊ ግብጻውያን ኢትዮጵያውን ለመሆናችው እሰጣገባ ውስጥ አያስገባንም ምክንያቱም የተጻፈን ታሪክ በማወቅ እና ባለማወቅ ላይ የሚደረግ ክርክር ስለሚያደርገው። ኢትዮጵያውያን በትክክል የጥንታዊ ግብጽ ስልጥኔ ላይ እና ፒራሚዶች ላይ ከፍተኛ አሻራቸውን ትተው አልፈዋል የሚለው እውነታ ሰርተው ያልፉት ሃውልቶች ህያው ምስክሮች ናቸው። በተለይ የአንድን ኢትዮጵያዊ መለያ መንገዶች መልኩ አይኑ አፍንጫው እና ከንፈሮቹ ናቸው ይህን ሆን ብሎ ማፍረስ ብሎም ማጥፋት ፒራሚዶች እና ሃውልቶቹ በኢትዮጵያውያን ንጉሶች አልተሰሩም እንደማለት ይቆጠራል።

አብዛኞቹ ተመራማሪዎች እንደ ሚስማሙት ከናፖሊዮን ግዜ ጅምሮ ነው ጥንታዊ ግብጽ ላይ በነገሱ ኢትዮጵያውያን ላይ ጠላቶች የተነሱት ይላሉ። ለዚህም ማሳያ የሚጠቅሱት ፊኔክስ የንጉስ ካፍሬ ሃውልትን ጨምሮ በጊዜው የነበሩት ኢትዮጵያውን ፈርኦኖች ወይም ንጉሶች ለራሳቸው መታሰቢያ ያሰሩት ሀውልቶች ከጭፍን ጥላቻ እና ዘረኝነት በመነሳት ሲያፈርሷቸው እና ሲያበላሿቸው ይስተዋላል።

ከዚህ በታች ያሉት ፎቶዎች ኢትዮጵያዊ መልክ ያላቸው ሀውልቶች ላይ የደረሱ ተመሳሳይ ጥፋቶች አጋልጠዋል።

ፈርኦን ሆትፕሲካሚ

ራምሴስ ሁለተኛ

ንጉስ አመንህመት ሶስተኛ [ባለ ሹሩባው ፈርኦን]

በጥንቱ ግብጻውያን ስርዎ መንግስት የነበሩ አዛውንት ምስል

እስኪ እራሳችንን እንጠይቅ ስለ የጥንታዊ ግብጻውያን በተለያዩ የብዙሃን መገናኛዎች ይነገራል ለምሳሌ ስለ ስልጣኔያቸው፤ የቀመር ችሎታቸው፤ ቋንቋቸው፤ ፊደላቸው [ሄሮግራፊክስ]፤ቀደምት አስደናቂ የወረቀት ስራቸው[ፓፒረስ]፤ ፒራሚዶቻቸው፤ አቻ ያልተገኘለት የግንባታ ጥበባቸው፤ ግዙፍ መቃብሮቻቸው፤ እምነታቸው ፤ ብዙ ብዙ ነገር ተጽፏል የቀረው ግን ዘራቸው ብቻ ነው። ለመሆኑ ጥንታዊ ግብጻውያን ከየት መጡ መነሻቸው ከየት ነው ?ዘራቸው ምንድ ነው? ? ነጮች ናቸው? አረቦች ናቸው? የሩቅ ምስራቅ ሰዎች ናቸው? የሰሜን እና ደቡብ አሜሪካ ሰዎች ናቸው? አፍሪካውያን ናቸው? ለምን ይሆን ጥንታዊ ግብጻውያን ዘር እና መልክ ያልተገለጸው? ? ? ? ? ? ? ? ? ? ? አስቡት ፒራሚድ በነጮች ቢሰራ ምን ይሉ ነበር? እንዲህ ጆሮ ዳባ ልበስ ብለው ይቀመጡ ነበር? ? ? ነጮች እና የሩቅ ምስራቅ ሰዎች እንዳልሆኑ ማንም ያውቃል አረቦችም ቢሆኑ አፋቸውን ሞልተው እኛ ነን ጥንታዊ ግብጻውያን ሊሉ አልደፈሩም ምክንያቱም አሌግዛንድሪያ እና ካይሮ ዛሬ አረባዊ ከተሞች ናቸው ከታሪካዊዎቹ ቦታዎች ጋር ምንም አይነት ይህ ነው ይሚባል ግንኙነት እንኳን የላቸውም ስለዚህ ዝምታን ይመርጣሉ።

ተመራማሪዎቹ ስለ ኢትዮጵያውያኖቹ ፈርኦኖች ግብጽን መግዛታቸውን ለመቀበል ይቅርና እንኳን ተሳስተው ለማውራት አይፈልጉም እውነቱ ግን በደግነታቸው እና በሩህሩነታቸው የሚታወቁት ኢትዮጵያውያን ፈርኦኖች ምስላቸውን ሳይቀር አስቀርጸው አልፈዋል። በጣም የሚገርመው ስለ ፒራሚዶች ጥናት መደረግ ከተጀመርበት ጊዜ አንስቶ እስካሁን ደረስ ስለ ግብጻውያን ዘር ትንፍሽ ለማለት የሞከረ የለም።

ፒራሚድን በተመለከት አይን ያወጣ ሻጥር እና ዘረኝነት ተስተውሎበታል እውነቱንም ለመደበቅ እጅግ በጣም ተሞክሯል። ነገር ግን የሞት ሞታቸውን በ2008 ናሽናል ጂኦግራፊክ ሶሳይቲ የሚባል የምርምር ጥናቶችን አሳታሚ መጽሄት ላይ ፈርኦኖችን ዘር በተመለከት ጥናታዊ ጽሁፍ ለማቅረብ በቅተዋል ምነው ይሄ ሁሉ ጊዜ ወሰደባቸው ? ? ? ነገር ግን ኢትዮጵያውያን የምትለው ስም ስላልተዋጠላቸው ወይም መጥራት ስላልፈልጉ ይመስል ከዚህ ሁሉ አመት ከፈጀ ጥናት በሃላ በመጽሄቱ ላይ ጥቁር አፍሪካውያን ሲያሻቸው ድግሞ ኩሽ እያሉ ጽፈዋል የሆነው ይሁን ፒራሚዶች እኛን በመሰሉ ሰዎች መሰራቸውን ማመናቸው በራሱ ትልቅ እመርታ ነው ።

http://ngm.nationalgeographic.com/geopedia/Black_Pharaohs

ሌላ ለአስረጂነት ያህል በጥንታውያን ግብጻውያውን የሚፈጸሙት ልማዳዊ ድርጊቶች ወይም እሴቶቻቸው በተለያዮ የምእራብያውያን እና አረብ ታሪክ ተመራማሪዎች እና ጻህፍት “የተለየ” ውይም “ያልተለመደ” ድርጊት የሚሉት ነው። እኛ ኢትዮጵያውያን የምናከናውናቸው ልማዳዊ ድርጊቶች ጋር አንድነት አላቸው ለምሳሌ መገረዝ፣ የንጉሶችን ስዮመ እግዚአብሄርነትን መቀበል፣ የእናትን ድርሻ መውረስ፣ ጥሎሽ፣ የተለያዮ ክብረ በአሎች፣ የቀብር ስነ ስርአቶች እነዚህ በትንሹ የተገለጹትን ልማዳዊ ድርጊቶች በአለም ላይ የሚፈጽሙት ኢትዮጵያውያን እና አፍሪካውያን ብቻ ናቸው።በምእራብያውያን እና አረቦች ሻጥር የጥንታውያን ግብጾች ኢትዮጵያዊ ባህሪ እንዲደበቅ ያሁኖቹ ተመራማሪዎች አበክረው ይሰራሉ። የኢትዮጵያውያን ንግስናን በጥንታዊ ግብጽ መኖሩን ባይቀበሉም ቅሉ ግን ቅን የሆኑ የታሪክ ተመራማሪዎን እኛ በግብጽ መንገሳችንን ከነማስረጃው አስደግፈው ጽፈዋል መጽሃፎቹን ማንበብ እና እውነቱን መረዳት ግን የኛ ፋንታ ይሆናል።

ከጥንታውያን ጻህፍት መካከል

Herodotus Origins of the Oracle of Dodona-book II
Aristotle-Physiognomy'' 6
Diodorus of SicilyOrigins of the Egyptians ''The Ethiopians say that the Egyptians are one of their colonies”-Universal History, book III

ከቅርቦቹ ተመራማሪዎች መካከል

Wonderful Ethiopians of the Ancient Cushite Empire
By Drusilla Dunjee Houston
Monuments from Egypt and Ethiopia by Karl Richard Lepsius (German: "Denkmaler aus Agypten und Athiopian")
Ethiopia and the origin of Civilization-A Critical Review of the Evidence of Archaeology, Anthropology, History and Comparative Religion: According to the Most Reliable Sources and Authorities by John G. Jackson (1939)

“አንድ ፎቶ ከአስር ሺህ ቃላቶች ይልቃል” እንዲሉ ከዚህ በታች ያሉት ፎቶዎች ኢትዮጵያዊ መልክ ያላቸው ንጉሶች እና ፈርኦኖች ናቸው ተመልከቷቸው።

ንጉስ ናይማሬ አመንህመት በሁለተኛው ስርዎ መንግስት



ንጉስ ቱቱናካሙን [በመቃብር ውስጥ የተገኘ]







ንግስት ጥዬ/ትዬ [የንጉስ ቱቱ እናት]



ፈርኦን መንኩራ [ሶስተኛው ስርዎ መንግስት]



ንጉስ ዩስካፌ




ፈርኦን ጆሴር



ንግስት ሃትሸብሱት

ፈርኦን ፐሪ አንኩ

የጥንት ግብጻዊ ቄስ

ግብጻዊ ቄስ በሁለተኛው ስርዎ መንግስት

Memnon

Memnon, king of the Ethiopians and conqueror of the East. 3130: Engraving by Bernard Picart, 1673-1733. Brazen-crested Memnon, a comely man according to Odysseus, is the King of the Ethiopians who came with a great force to help Troy against the Achaean invaders, and was killed by Achilles. Son of the immortal old man Tithonus 1, they say, was snatched away by Eos (Dawn) for love, brought by the goddess to that Ethiopia which is not in Africa but in the east, and there he founded the city of Susa. Tithonus 1 was made immortal when Eos asked Zeus that Tithonus 1 should be deathless and live eternally. However, she forgot to ask youth for him, and for that reason he suffers the full weight of Old Age, babbling endlessly and having no strength in his limbs. But before that, Tithonus 1 and Eos lived rapturously as lovers do, and they had children: Emathion 1 and Memnon. His brother killed by Heracles 1 Emathion 1 became king of the Ethiopians, and is remembered for having attacked Heracles 1 when the latter, having slain Busiris 2 (the Egyptian king who used to sacrifice strangers), sailed up the river Nile. Memnon in the East But Memnon himself was, as Tithonus 1, related to the East, and he is said to have built a palace of many colored and shining white stones bound with gold in the city of Ecbatana. For Memnon, starting from Ethiopia, overrun Egypt and conquered the East as far as the city of Susa, which he surrounded by walls. So Memnon, although being king of the Ethiopians, came to Troy, not from what today is called Africa, but from Susa, not far away from the river Tigris, in the land that later became Persia. And when he made his march to the west, he subdued all the peoples that lived between Susa and Troy. Memnon's arrival When Hector 1, the pillar of Troy, was killed by Achilles, there was not much hope left for the Trojans, except that provided by Memnon, who wearing an armour made by Hephaestus, arrived from the east with a huge host to help the city. Memnon is said to have killed the Pylians Ereuthus and Pheron, who followed Nestor to the Trojan War, and also Nestor's son Antilochus, who died for his father's sake. For the horse kept Nestor's chariot from moving, since it had been wounded by Paris, when Memnon approached. Then Nestor shouted to his son Antilochus, who came to his rescue, and saved his father's life at the price of his own. For, as some say, Memnon slew him, although there are those who say that Antilochus was killed by Hector 1. Achilles kills Memnon Eos carrying her dead son. R1-1265: Eos with the corpse of Memnon. Eos mit der Leiche Memnons (nach Wiener Vorlegeblätter Taf. VIII. Roscher, 1884. Nestor, who saw his son perish, asked Achilles to rescue his son's body and armour. That is why Memnon and Achilles fought against each other in single combat, and although Memnon wounded Achilles in the arm, he himself lost his life when Achilles plunged his sword beneath his breast-bone. But some say that it was Achilles' spear that killed Memnon. Soldiers turn into birds In any case, some have told that when Memnon died, the whole Ethiopian army vanished with his king, the soldiers turning into birds. Now, some may feel tempted to reason that this is just a way of expressing the idea of the Ethiopian army escaping or being disbanded. And they may also feel that if the army was dispersed it would be better just to say so instead of making up capricious tales, which are most implausible. But, whatever they may feel, the Achaeans and Trojans were most amazed when they watched the Ethiopian army fly away. For current things amaze nobody, but extraordinary and impossible things do. And that was a great marvel, unlikely to happen in our time, as no one has ever since claimed to have witnessed anything of the sort. Eos begs Zeus for her son Anyway, the death of this magnificent king caused great grief to his mother, and because of her pain the colours of the morning skies grew dull, and the heavens were overcast with clouds. And Eos came to Zeus and asked him to grant Memnon special honours as consolation for his death. Accordingly, the smoke of Memnon's funeral pyre turn into birds, some of which killed each other over the flames. These birds, which are called Memnonides, used to return on stated days every year to Memnon's grave, in a hill above the outlet of the Aesepus River, which flows from the mountains of Ida in the Troad, and sprinkle it with the water of the river from their wet wings. But others say that Memnon was buried in Paltus, which is on the coast of Syria in front of the island of Cyprus. Eos herself never ceased to lament the death of her handsome son, who was also a magnificent king. For the dew, they say, is the tears shed by the goddess for the death of Memnon. And yet it has also been told that Zeus bestowed immortality upon Memnon at Eos' request. An Ethiopian. 9905: Busto de etíope. Anónimo italiano, siglo XVII. Museo Nacional del Prado. Statue Such is the story of Memnon. But others have said that this son of Eos neither went to Troy nor died there, but that he died in Ethiopia after ruling the country for five generations. That may seem a long time. However, the Ethiopians, being the longest lived men on earth, deplored his death as premature, mourning him as a youth. They also tell that a wonderful statue of a young and still unbearded Memnon had been made out of black stone, and turned towards the sunrise. The sitting figure was represented in the very act of rising up, with the lips as about to speak. They affirm that the lips spoke when the sun's rays fell upon them at dawn, and that the eyes of the statue seemed to stand out and gleam against the light.

Family

Parentage
	Tithonus 1 & Eos
Tithonus 1 is son of King Laomedon 1 of Troy, son of Ilus 2, the founder of Troy, son of Tros 1, after whom the Trojans were called, son of Erichthonius 1, son of Dardanus 1, son of Zeus and the Pleiad Electra 3. Eos is Dawn.

Related sections	Memnon in GROUPS: TROJAN LEADERS
Sources Abbreviations	AETH.1; Apd.3.12.4-5; Apd.Ep.5.3; Dio.4.47.3, 4.75.4; Hes.The.984; Hom.Od.11.522; Hyg.Fab.112, 223; Ov.Fast.4.714; Ov.Met.13.579; Pau.10.31.7; Phil.VA.6.4; Pin.Isth.8.54; Pin.Pyth.6.32; QS.2.100ff., 2.494, 2.540ff.; Strab.15.3.2; Try.31.

 

Blacks in Antiquity

Ethiopians in the Greco-Roman Experience

Frank M. Snowden

The Africans who came to ancient Greece and Italy participated in an important chapter of classical history. Although evidence indicated that the alien dark- and black-skinned people were of varied tribal and geographic origins, the Greeks and Romans classified many of them as Ethiopians. In an effort to determine the role of black people in ancient civilization, Mr. Snowden examines a broad span of Greco-Roman experience--from the Homeric era to the age of Justinian--focusing his attention on the Ethiopians as they were known to the Greeks and Romans. The author dispels unwarranted generalizations about the Ethiopians, contending that classical references to them were neither glorifications of a mysterious people nor caricatures of rare creatures.

Mr. Snowden has probed literary, epigraphical, papyrological, numismatic, and archaeological sources and has considered modern anthropological and sociological findings on pertinent racial and intercultural problems. He has drawn directly upon the widely scattered literary evidence of classical and early Christian writers and has synthesized extensive and diverse material. Along with invaluable reference notes, Mr. Snowden has included over 140 illustrations which depict the Negro as the Greeks and Romans conceived of him in mythology and religion and observed him in a number of occupations--as servant, diplomat, warrior, athlete, and performer, among others.

Presenting an exceptionally comprehensive historical description of the first major encounter of Europeans with dark and black Africans, Mr. Snowden found that the black man in a predominantly white society was neither romanticized nor scorned--that the Ethiopian in classical antiquity was considered by pagan and Christian without prejudice.

         

        

Frank M. Snowden Jr., is Professor of Classics, Howard University.